RUFUS BIRD

ART ADVISORY

services

buyers

I work exclusively for you, adding to, refining or editing an existing collection. You need guidance, advice, due diligence on your potential purchase. I provide detailed buying reports, analyse market trends and will negotiate purchases on your behalf. The art market is opaque and I provide expertise and help you make the right decisions.

SELLERS

I work with clients, negotiating on your behalf to ensure you reach the best possible sale arrangement with auction houses, dealers, or transfer with UK government agencies.

CURATORIAL

Valuations, cataloguing / inventory management, loans, shipping, photography, publication and research, conservation and restoration, storage solutions, complex ownerships, collection care advice. I have long experience creating solutions for large and complex collections.

About Rufus

Trusted independent
art advice

   Rufus Bird is an independent art advisor with over twenty-five years of experience of the commercial and charitable sectors of the art world. He assists clients of all types and budgets in the formation and / or sale of their collections. He has experience in caring for large complex collections, whose owners may need to consider tax and inheritance planning, loans, offers in lieu, conservation management plans, restoration, collection (or preventive) care, salvage / emergency planning, research and valuations. After graduating in History of Art from Cambridge University he joined Christie’s as a graduate trainee and joined the Furniture Department in 1999, where he worked on notable projects including Tyntesfield, Somerset and Dumfries House, Ayrshire. In 2010 he was appointed by HM Queen Elizabeth II as Deputy Surveyor of the Queen’s Works of Art. At the Royal Collection he had responsibility for about 500,000 works of decorative art across fifteen residences, he oversaw all conservation of decorative art objects in three workshops. In 2018 he was appointed Surveyor of the Queen’s Works of Art. During his time in post he saw the three volume catalogue of Chinese and Japanese Works of Art (2016) to publication, co-curated the exhibition Charles II: Art and Power (2017), contributed chapters in The First Georgians (2014) exhibition catalogue and George IV: Art and Spectacle (2019). He was a lead member of The Riesener Project culminating in a book published in 2021. He is an author of the official history of St James’s Palace (Yale, 2022). After leaving the Royal Collection he worked Duke’s Auctions in his native county of Dorset (2021-2022), before joining Gurr Johns, international art advisory and valuations (2022-2024).